For the typefaces used in
the interior of our Arachis Press books, we are scrupulous about
using only fonts for which we have a license. This means—in our
case—the Bitstream typefaces licensed via our software and an
assortment of ‘free’ fonts. There are free faces that are quite
satisfactory and entirely professional; we have mentioned before the
free pack donated by URW++ to the Ghostscript project and that one
could do a perfectly good job with nothing else.
But then there are covers.
If one converts ones cover file to a graphic (as we do—we upload
high definition PNGs to our printer), one can get away with using
unlicensed fonts. It is when we embed those typefaces in PDFs (or
other file formats) that we run into legal questions.
Now we’ll admit that a
small publisher (or self-publisher) probably won’t be called out
for this but it is best to be safe. And legal! Therefor, we do keep a
number of fonts on hand (or on computer, we should say) that we would
not use for interior layout but can be handy for cover design. These
are, of course, primarily ‘display’ fonts that one might not use
for interior text anyway.
The self-publisher who
uses Canva (or a similar cover generator) needn’t worry about any
of that. Any licensing is taken care of already. Similarly, ebooks
(other than PDFs) should not be problematic; we simply specify
‘serif’ for the type in our EPUBs and allow the reader to choose
the font they prefer.
Incidentally, we should
mention that Microsoft’s fonts are not free to use in your books,
even if they are included in your copy of Windows. And Times New
Roman should not be used in a commercial release without paying for
it—though we don’t know why anyone would want to.
So we have used Dutch 766,
Bitstream’s copy of Imprint, in our books but we would not use the
Imprint MT Shadow that came with Windows. Not as part of the interior
text. On a cover? Maybe someday, if it is needed.